备注:已完结
类型:喜剧电影
主演:MadsMikkelsen GabrielaMarcinkova Ka
导演:AsgerLeth
语言:英语
年代:未知
简介: 主演:MadsMikkelsen/GabrielaMarcinkova/KarlFische导演:AsgerLeth语言:英语地区:丹麦/德国编剧:MattGreenhalgh类型:喜剧/动作上映时间:2012 别名:用户标签:MadsMikkelsen,丹麦,动作,2012,Mads_Mikkelsen,丹麦电影,德国,喜剧片长:imdb编号:tt2273326 Anunusualroadtri beginningintheNetherlandstakesaseriesofunex ectedturnsthroughGermanyandEasternEuro e. 车轮上的欧洲电影网友评论:< class="com">其实是个八集的小短剧,麦子的粉把它们拼在一起了;其实真的是风光片,跨越欧洲大陆各国;其实一死忠粉编导远胜千个脑残粉,通篇是犀利款麦子、皇家赌场款的麦子、特工款麦子、滚床单的麦子、在崇山峻岭间的麦子..感谢@瓦达西瓦又又又桑只爱这巧克力(好长我背的对吗?^_^)提供线索 < style="text-align:center;"> < class="com">知不知道帅炸天怎么写——就是这么写:帅!炸!天!导演肯定是个Mads粉,不然镜头不会捕捉得这么赞!简直是会动的个人写真!服装换得勤,福利也多多!怎么能不给五星啦!!!(根本不是喜剧啦OTL < style="text-align:center;"> < class="com">ʕ•̫͡•ʕ*̫͡*ʕ•͓͡•ʔ-̫͡-ʕ•̫͡•ʔ*̫͡*ʔ-̫͡-ʔ,最后一幕极大气,衬上广袤绵延的弦乐,起一身鸡皮疙瘩。太喜欢麦叔了,眼中透着冷戾和笃定的男人。 < style="text-align:center;"> < class="com">芬兰→奥地利→斯洛伐克→匈牙利→克罗地亚→黑山→德国→马其顿,这个特工有点忙。基本就是Mads的独角戏,看得很过瘾。风景悦目的同时剧情也不含糊。 < style="text-align:center;"> < class="com">几年前硬着头皮啃完了生肉,不知道现在有没有中文字幕版……这片的导演可能就是麦斯的小粉丝吧,确实把他拍的很帅…… < style="text-align:center;"> < class="com">抱歉我真的理解不来这剧情!!完全是为了舔屏而去看的!!mads叔气质太棒!!! < style="text-align:center;"> < class="com">8集高清巨献-香车美人环游欧罗巴【原来旅游节目可以这么拍!【【雾 < class="com">生肉啃着虽不舒服无奈麦子太鲜美导演太懂粉丝的心了(ฅฅ*)♡ < class="com">看得我好困惑…要不是因为有Mads真心看不下去了…00 < class="com">三星给麦子,没看出是欧洲风光片,没觉得取景有多美。 < class="com">全片就只有麦叔一个主角我能不给五星么OwO < class="com">拾荒老汉の欧洲自由行(一脸茫然真的记路吗
备注:已完结
类型:剧情电影
主演:OksanaBulgakova DietmarDath HansMag
导演:亚历山大·克鲁格
语言:德语
年代:未知
简介: 主演:OksanaBulgakova/DietmarDath/HansMagnusEnzensberger/DursGrünbein/HanneloreHoger/So hieAlexandraKluge/OskarNegt/苏菲·罗艺斯/赫尔基·施楚奈德/彼得·斯洛特戴克/AndreasTobia导演:亚历山大·克鲁格语言:德语地区:德国编剧:亚历山大·克鲁格类型:纪录片上映时间:2008 别名:NewsfromIdeologicalAntiquity用户标签:纪录片,德国,Alexander_Kluge,德国电影,AlexanderKluge,Documentary,2008,紀錄片片长:570min(完整)/83min(剧场)imdb编号:tt1423964 Whatisarevolutionary?ThewritingsofMarxandEngelsbothusethemeta horofrevolutionasthe"locomotiveofhistory".Is,then,therevolutionaryastandardbearerof rogress,a acesetter,afrontrunner? Noneoftheabove,becauseinaworldruledbyaturbo"devaluation"whereonlythenewhasmarketvalue,wherecommodity roductions iralsoutofcontrol,the"trainoftime"isadeadlytrend.AlexanderKlugeinsteado tsforWalterBenjamin'sideaoftherevolutionasmankind" ullingtheemergencybrake".Wemustholdu thetorchofreasontothe roblemsathand,andthetruerevolutionaryisthereforetheonewhocanunitefutureand ast,mergingtwotimes,twosocieties,theartistwhomontagesstoriesandhistory.AndsowecometoAlexanderKlugeandhisart. Kluge'smonumental"NewsfromIdeologicalAntiquity.Marx–Eisenstein–DasKa ital"isa570-minutefilmavailableonlyonDVDwhichisbasedontheworkoftwoothermontageartists,JamesJoyceandSergeiEisenstein.Thesetwometin1929todiscussfilmingMarx's"Ka ital"whichhadbeenwritten60yearsbeforehand.Now,eightyyearson,AlexanderKlugejoinsthe artyandtakesu whereEisensteinfailed,becauseneitherHollywood'sca italistsnorMoscow'sCommunistswere re aredtosendthenecessaryfundshisway. MostofthefilmconsistsofinvolveddiscussionsbetweenAlexanderKlugeandotherMarx-savvywritersandartists.PoetandessayistHansMagnusEnzensbergercom aresthesoulofmanwiththesoulofmoney,authorDietmarDathex lainsthemeaningofthehammerandsickleontheSovietflagand,fromthestand ointoftheStoics,lea s(ratherthanmarchesatanorderly ace)intoindustrialisation,theactressSo hieRoismakesanim assioneda ealforMedea,differentiatingbetweenadditiveandsubtractivelove,filmmakerWernerSchroeterstagesaWagnero erafeaturingthe"rebirthofTristaninthes iritofbattleshi Potemkin", hiloso herPeterSloterdijktalksaboutOvidandthemetamor hosisofaddedvalue,amanatthe ianoanalysesthescoreofastrikesongwhileworkersandfactoryownersfaceoffinano erabyLuigiNono,the oetDürsGrünbeininter retsBertBrecht'saesthetisationoftheCommunistmanifestoinswingingoceanichexameter,culturalscientistRainerStollmannem hasisesthemyriadmeaningsofMarx'swritingsasscience,art,storytelling, hiloso hy, oetry.Andsocialtheoristand hiloso herOskarNegtlookssce ticalwhenaskedwhetherit's ossibletofindtherightimagesforallthisstuffwhenyou'relessinterestedin edagogicalcontentthantheencom assingtheory. Scholarlystuff,wideanddee insco e,yetboldand layful.ButevenifyourownstudyofMarxisnomorethanafadedmemory,itishugelyenjoyabletowatchandlistentotheseex ertsastheir"thinkinggraduallydee ensthroughtalking"andtowatchKlugeinterject,ho ingadroitlyfromonethoughttothenext,sur risinghisinterlocutors,catchingthemoffbalance,sendingthemoffonnewtrajectories.WeneverknowhowmuchagreementandvarianceishiddeninKluge'sobjections.HisaSocratica roachtoquestioning,curious,o entoeverything,andsowonderfullysubtlethatattheendalwaysfindyourselfwonderingwhetherhehadbeendrivingata articulartargetallalong.AlexanderKlugeisagreatmani ulator,anindustriousloom,whoweavesthemostfar-flungobservationsintohissystem. Heisnotfilming"DasKa ital"butresearchinghowonemightfindimagestomakeMarx'sbookfilmable.Thequestisthewayisthedestination.ThemodelforhisunderlyingstructureisJoyce's"Ulysses"wheretheentirehistoryoftheworldis ackedintoadayinthelifeofhishero,Bloom.InKluge'shandsthisbecomesacollageofdocumentary,essayisticandfictionalscenes,interviewsandstill hotos,archiveimagesofsmokingfactorychimneys,time-la sefootageof oundingmachinesandmountainsof roducts,diaryentriesandblackboardsscribbledwithquotesreferencingconstructivismandconcrete oetry. Coincidences,collisions.BacktobackwithashortfilminwhichdirectorTomTykwerstirsthingsu inaBerlinstreet,tworeadersstruggletorecitethefollowingsentence,sli inginandoutofsynchwithincreasingdes eration:"Wheneverreal,cor orealman,manwithhisfeetfirmlyonthesolidground,manexhalingandinhalingalltheforcesofnature, ositshisreal,objectiveessential owersasalienobjectsbyhisexternalisation,itisnottheactof ositingwhichisthesubjectinthis rocess:itisthesubjectivityofobjectiveessential owers,whoseaction,therefore,mustalsobesomethingobjective." Nosoonerareweshown"howthehistoryofindustryandtheestablishedobjectiveexistenceofindustryaretheo enbookofman'sessential owers,the erce tiblyexistinghuman sychology"thanwehavethehistoryofca italismisex lainedtousasagiantextensionofthefairytaleaboutthedevilwiththethreegoldenhairs–everythingisahumanbeingbeingcastunderas ell.AndthebeginningofMaeWest'sfilmcareerruns aralleltothelea intoindustrialisation–aformofaestheticsla stickinwhichnotcream iesflythroughtheairbutideasandconce ts. UnlikeEisenstein,whowasdriventodes erationbytheherculeantaskofcuttingthe29hoursof"October"intoa90-minutefilmversionandturnedtodrugsintothe rocesswhichlefthimtem orarilyblind,Klugecoolystickstohisgunsandhisninehours.Andit'snotaminutetoolong. (Thisarticlewasoriginally ublishedinTagess iegelon8January2009.HelmutMerkerisafilmcritic.) < class="comment">《资本论电影网友评论》 < class="com">83min版本,影像化理論展示,戈達爾式的影像風格,以文字和影像的衝突,畫外音與對白及獨白的衝突,大眾音樂與古典音樂的衝突還原愛森斯坦的野心,字體的情緒表現,用被消費的文化偶像去閱讀解剖消費的馬克思原文,也許因為看的並不是完整版,覺得在某些方面並非深入,但總的來說十分精彩. < class="com">西装革履,钢琴歌剧,进行曲中聊罢工,演说集下谈阶级,金钱人格化,价值虚幻化,法学博士的艺术家,古典的后现代,"煤油"灯下,扯着资本论。。。呵呵呵呵哈(小资们读/看资本论,会精神分裂的么?) < class="com">借不同阶层的嘴读出资本论,极具讽刺意义。世界失序已久。Duetohumanweakness.427Séance résentée arAlexanderKluge聒噪 < class="com">估计是学识不够吧,看到第二部就没再看下去了。明白其手法了,但是并没有特别的感觉。不同字体和音乐以及它们具有的生命节奏去表情和表意还是挺不错的。 < class="com">3月马上在北京和杭州组织多场放映。之前只溜达过德文版。现在手里有中英文两个文字版,本周即可见成品。无论如何,是不可以错过的力作 < class="com">收获就是新鲜感题材▲干嘛非要懂干嘛不装懂还是不懂hahah配乐不错=v= < class="com">没能坚持看完。为此意气用事非要跳过某老师的报告我后悔不迭! < class="com">相对电影之后的扯淡讨论会,电影显得要容易忍受多了。 < class="com">剧场版。看在老马和爱胖的份上,就不黑了。 < class="com">放全本的时候还是值得再看一下的 < class="com">太长了...一段一段看... < class="com">带英文字幕83分钟剧场版。
备注:已完结
类型:动漫
主演:HelenaPatockova JaromirSobotoa Dets
语言:英语
年代:未知
简介: 导演:伊里·特恩卡/MilosMakove编剧:VítezslavNezval/安徒生/JiríBrdecka/伊里·特恩卡主演:HelenaPatockova/JaromirSobotoa/Detsky eveckysborJanaKuhna类型:动画/家庭/奇幻制片国家/地区:捷克斯洛伐克语言:英语上映日期:1949-04-15片长:72分钟(捷克斯洛伐克)/55分钟(美国)又名:皇帝的夜莺/TheEm eror‘sNightingaleIMDb链接:tt0043410 皇帝的黄莺,木偶片,长片,编剧:透恩卡与布尔岱卡,根据安徒生原作改编,摄影:倍森卡,作曲:V.特洛扬. 皇帝的夜莺/皇帝的歌鸲电影网友评论:< class="com">木偶剧,可以看出西方人对东方理解,中国人都是小眼睛,眼角往上吊,塌鼻子,单眼皮,小辫子,摆脱,里面的国旗怎么化用的日本旗……果然他们分不清亚洲这块是怎么回事。皇帝和夜莺…… < style="text-align:center;"> < class="com">音乐很赞,但中国的设定同普契尼的《图兰朵》与《蝴蝶夫人》一样令人无语,但后者可以只听,这个却不能不看。临近片尾有一个向安徒生致敬的镜头,唐卡真有心~ < class="com">主题明确之后就有些不够有趣,硬件不够精致叙述中国故事时尽是西洋物什,单一旁白的木偶剧无足够表现力,不够精彩。 < class="com">夜莺不能没有歌喉,乳房不能没有夹边沟。PS:唐卡中长片,改自安徒生,鱼型喷泉灵光又现,青蛙撑伞萌态可掬。 < class="com">用木偶动画来表现童话故事挺棒的!夜莺那凄婉,哀怨的歌声,让人心碎! < class="com">【e3a9uzs8】巍巍乎,壮哉已我大天朝也~~!! < class="com">176气煞我了,我堂堂一国之君,连只鸟都木有 < class="com">捷克动画制作有着深厚传统并达到了世界级水平 < class="com">6。东欧人以天朝为背景的木偶动画 < class="com">人偶,骨装,镜头,灯光,故事线。 < class="com">我想说这才是正确的译名 < class="com">刻板印象果然是存在的