备注:已完结
类型:恐怖电影
主演:理查德·布雷克 L·斯科特·卡德维尔 贝蒂拉·达马斯 艾德里安娜·巴拉
导演:吉吉·索尔·格雷罗
语言:英语
年代:未知
简介: IntheBarrioofOakS rings,liveastrongandstubborngrou ofelderlyfriendswhorefusetobegentrified.Theirleader,Lu ita,kee sthemtogetherasacommunity,afamily.Butlittledidtheyknow,theirbelovedBingohallisabouttobesoldtoamuchmore owerfulforcethanmoneyitself
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类型:剧情电影
导演:欧文·拉帕尔
语言:英语
年代:未知
简介:悬疑小说作家珍妮特·弗罗比舍 (Janet Frobisher) 独自住在一栋黑暗的英国乡间别墅里,当她不与秘书的未婚妻调情时。在一个极其尴尬的时刻,她遇到了一位不受欢迎的访客:乔治·贝茨,他自称是珍妮特分居的丈夫的犯罪同伙。尽管珍妮特极力摆脱乔治,但他还是闯入了珍妮特的家庭和生活。错综复杂的关系发展成为一场可怕、凶残的猫鼠游戏。《毒妇与恶汉》(Another Man's Poison)是一部于1951年上映的电影,由欧文·拉帕尔执导。编剧是莱斯利·桑兹和瓦尔·杰斯特。影片主要由贝蒂·戴维斯、加里·梅里尔和埃姆林·威廉姆斯主演。故事发生在英国乡村,贝蒂·戴维斯饰演的小说作家克里斯蒂娜·道格拉斯是一位著名的犯罪小说作家,以她的作品赢得了读者们的喜爱。然而,在她表面上成功的生活背后,她隐藏着一段不幸的婚姻。当她的丈夫离家出走时,她借机邀请了她的情人加里·梅里尔饰演的艾弗里·特希勒到她的庄园。然而,克里斯蒂娜并不知道的是,她的丈夫已经死亡,并且他留下了一份遗嘱,将所有财产都留给了她。当一个年轻女子出现并声称自己是克里斯蒂娜的丈夫的女儿时,故事变得扑朔迷离。这位年轻女子发现了她的父亲的死亡,并开始威胁要揭露克里斯蒂娜过去的秘密。克里斯蒂娜为了保护自己的秘密和财产,不惜使用了毒药,试图将这个女人除掉。然而,事情并没有按照她的计划进行,剧情进一步发展,充满了悬疑和紧张的气氛。观众们将被带入一个扭曲的心理游戏中,充满欺骗和复仇的情节。《毒妇与恶汉》以其精彩的演技和紧张的剧情著称,贝蒂·戴维斯饰演的克里斯蒂娜将观众们带入了一个复杂的角色之中,展现了一个无情而富有欺骗性的女性形象。加里·梅里尔和埃姆林·威廉姆斯也在电影中展现出了精湛的表演。
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类型:喜剧电影
主演:塞西尔·德·弗朗斯 罗什迪·泽姆 帕斯卡·埃尔贝 让-皮埃尔·卡塞尔
导演:罗什迪·泽姆
语言:法语
年代:未知
简介: 一部今年戛纳影帝罗什迪·泽姆自编自导自演的喜剧片。Ismael是阿拉伯人,Clara是犹太人。他们相识相恋,幸福快乐。当秋天Clara怀孕后,一切变得更加美好。但是在他们向各自家人公开的时候,却引发了两个分立不同种族的家庭的震动。 罗什迪·泽姆出生在法国的赞那维黎耶,摩洛哥移民后裔,酷爱表演和足球。1999年的《我的小公司》和2005年的《小中尉》(Le Petit lieutenant)让他两度获得恺撒最佳男配角提名。今年,《光荣岁月》(Indigenes)成为罗什迪新的里程碑,他同其他四位男主演一同摘得戛纳电影节最佳男演员的桂冠。 女主角是近些年人气急升的比利时女星塞西尔· 德· 弗朗斯(Cecile de France),她今年的作品还有和杰拉尔·德帕蒂约(Gerard Depardieu)合作的《退休歌手》。
备注:已完结
类型:喜剧电影
主演:迪恩·马丁 斯黛拉·斯蒂文斯 埃里·瓦拉赫 安妮·杰克逊 贝蒂·菲尔德
导演:菲尔德·库克
语言:英语
年代:未知
简介:本片导演是一流的电视导演菲尔德·库克,他曾多次获得艾美奖提名并数次获奖。剧中的卡罗尔外表是一副五十年代在美国大行其道的贤妻良母形象,然而她却是个女性意识开始苏醒的独立女性,而由美国六、七十年代著名的喜剧明星迪恩·马丁扮演的多管闲事的戴维则代表了当时美国社会的保守派人士。尽管影片结尾,危机神奇般地解除多少消除了它的讽刺力度,但放到如今 ,这部影片仍并不失为一部上佳的男女性别对立喜剧作品。 故事梗概 单身贵族戴维认为自己的好友哈里不该抛开自己的妻子另找情妇,于是试图向哈里证明做情妇的女人们都是一样水性杨花。在他试图以勾引哈里情妇在挽救好友的婚姻时,却弄错了对象,供养起无辜的卡罗尔。而卡罗尔一心以为戴维会是优秀的丈夫人选。一时间,戴维陷入了困境。
备注:已完结
类型:动作电影
主演:托马斯·米连 约瑟夫·科顿 Maria Fiore Mario Pia
导演:翁贝托·伦齐
语言:其它
年代:未知
简介:Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!