备注:已完结
类型:恐怖电影
主演:Marshall Thompson Shirley Patterson
语言:英语
年代:未知
简介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
备注:已完结
类型:动作电影
主演:卡梅隆·迪亚兹 德鲁·巴里摩尔 刘玉玲 比尔·默瑞 山姆·洛克威尔 凯
导演:约瑟夫·麦克金提·尼彻
语言:英语
年代:未知
简介: 查理先生手下有三名女打手,她们才貌双全拥有一身好功夫,专门接受查理先生的命令为他人伸张正义。她们分别是:娜塔莉(卡梅伦?迪亚兹 饰)、戴兰(茱莉?巴里摩尔 饰)与艾利克斯(刘玉玲 饰)。 她们最近接受了一个任务:艾瑞克?克诺斯(萨姆?罗克韦尔 饰)先生设计了一款高科技的声音辨别系统。艾瑞克却不幸被绑架了,这三名“天使”需要从不法分子手中拯救艾瑞克。因为这套由艾瑞克设计的高科技系统,一旦被不法分子利用的话后果堪虞。 三位“天使”得知情况后,很快联想到了艾瑞克公司的对手,该负责人罗格成为了最大的嫌疑。三人于是日夜调查罗格的行踪,也掌握了重要的线索。正在她们有把握拯救艾瑞克的时候,一通电话打破了她们三人的全盘计划
备注:已完结
类型:恐怖电影
主演:托宾·贝尔 科斯塔斯·曼迪勒 ScottPatterson 贝茜·拉塞
导演:达伦·林恩·鲍斯曼
语言:英语
年代:未知
简介: “竖锯”(托宾·贝尔)死了。忠心耿耿的女助手阿曼达也跟着一起翘了辫子。没有这个设计出令人闻风丧胆的杀人游戏的另类说教狂兴风作浪,世界理应平静很多,留下的似乎只是血腥之后的烂摊子。因为凯丽警官的死,两名资深FBI探员斯特拉姆(斯科特·帕特尔森)和皮瑞兹被分派,协助霍夫曼警探(克斯塔斯·曼蒂洛尔)着手调查老头在第3部游戏中留下的最后机关。而这不得不让他们再次踏入恐怖的“雷区”--“竖锯”大人废弃隐匿的杀戮之地。&nbs ; 而另一边厢,原特警部队突击队队长瑞格(林雷克·本特)也被卷进了链锯游戏。这个当地唯一一个幸免于“竖锯”之难的警界人士,突然遭到绑架,生还期限仅为短短的1个半小时!!众所周知,逃生游戏中绝不会缺少下列元素:诡异破旧的废弃地下室,恐怖重重的死亡陷阱和另外几个惊吓过度的受害者。哪怕是互相杀戮,哪怕是疯狂自残,他需要做一个简单的选择:逃出生天?抑或凄惨死亡?&nbs ; 到底是谁幕后操纵这一切?又到底是谁让人人自危警方失色?尽管开始了范围全城的全面搜救行动,警方和FBI能够找到的只不过是一具又一具死尸而已。然而,在解剖“竖锯”尸体时,霍夫曼警探终于发现了最可能的答案--在老头子粘稠的胃液里,竟隐藏着一盘精心装好的录音带:“别以为一切已经完结!游戏,才刚刚开始!”熟悉的竖锯声音再次响起。地狱之下,老头子俨然发出了得意的冷笑!&nbs ; 电锯惊魂4电影网友评论:< class="com">这几天连着看了一到四部,之所以要加一个悬疑推理的新标签,因为我觉得就这方面来说,第四部的真的太好了(目前来说)因为看这部电影的时候必须要时常暂停或者倒带(非常抱歉说了关于录音机的名词,可能看的很深入吧)要时常停下来想一想,思考思考,的确把前三部的一些疑问解释了一下,但又挖了新坑,比如那个霍夫曼是什么时候加入竖据的,既然已经是新的继承人,那为什么影片的开头(其实也是结尾)会播放那个带子呢?这游戏是谁设计的?换句话来说是谁想考验里格?总之很有一些推理方面的东西,一些细节的对应也很棒,比如霍夫曼对里格(黑人警察)说不要随便闯入未知危险的门,这在结尾也就对应上了,片中的亮点也很多,尤其看的让我胆战心惊的是,最后那个马修斯警察的脑袋像拍黄瓜一样,直接就碎了,真的非常 < style="text-align:center;"> < class="com">叙事方式确实惊艳到我了,开头结尾串起来了,居然和第三部的时间线是同时进行的,还为顺便给第五部开了个头,佩服!但是,这一系列对于脸盲患者和剧情遗忘快的人真的极其不友好,伏笔太多太碎,第四部能连到前面所有部,又选了几位长得像的演员,太容易混乱了,看的心累。每个情节设计都是有用的啊,这点太牛了,前几部看的时候觉得有多余情节,到了后面都一一释怀了,都是线索啊。还有困惑的话也不能着急,前面没交代清楚的后面都会解答,我现在就等着看第五部怎么给我解惑呢。就好像是拨云见雾,我什么时候能拨到头啊。但我真的享受每部最后15分钟那种恍然大悟却又朦朦胧胧的感觉!一入电锯门就出不来了,真是很宏大的构思布局,编剧牛逼! < style="text-align:center;"> < class="com">这部片子对于脸盲的人极度不友好,看完之后特意返回开头看听录音的是谁(ಥ_ಥ)可惜我FBI探长虽然也是被刷了可是也是跟上了变态的脑回路。每一次都在吐槽美式的英雄主义,等一两分钟再叫人不好嘛,一个一个舍生忘死的干什么,人多了才有安全感,对付这种机关和地下室为主的人海战术才可以。以及一个把虐杀当做宽恕的人还要教别人宽恕,真是呵呵了,还真的有人信。不过看来信的也是本来就有缺陷,就好像阿曼达。继承人霍夫曼还要在下一部做挑战,总感觉老头这次是找对人选了,一个智商在线又能打入敌人内部的正义审批员。其实我还是比较喜欢FBI特员的,也许霍夫曼也知道他是一个威胁所以早早除掉了哎。 < style="text-align:center;"> < class="com">最开始解剖jigsaw简直高能!这部对人体内部构造的特写是新鲜点。再次玩弄时间游戏,将时间轴交互错叠,一方指向过去,saw的形成,一方指向将来,继承人的选定,补齐了前几部的戏。剪辑实在厉害,目不暇接。当然……有点乱,眩晕……不过整体的台词和机关设计上颇有些江郎才尽……霍夫曼最后露脸了实在不科学,看来下一步要讲他的往事和与FBI周旋的故事了;原来猪面具来得这么随便;那个警察被折磨3部也是没sei了 < style="text-align:center;"> < class="com">.......最遗憾的就是先看4后又看的1.从开头来说4联想到的是美剧1联想到的是猜火车.看到后来4联想到了死神来了.1看完脑袋卡壳差点气哭.最讨厌的部分就是提前知道了1里的凶手不是出场的任何一位但也万万没想到是全程参与的死者.他注重感官体验很好做的事却很糟. < style="text-align:center;"> < class="com">镜头在温子仁的指导下继往开来,殊不知老温得镜头火候恰到好处,再加一点儿就头晕目眩失了分寸。那个第三部的断脚老铁实在是太可怜了。每一部都有bug,而且下一部永远都是在补上一部的bug,这样看来电锯系列我有生之年是不会完结了. < style="text-align:center;"> < class="com">又回归了一些精妙道具,但越来越悬疑了,其实对道具的期待更大,头皮血腥,性虐也很牛。本集的镜头转化拼接让人有冲击感,对警探的折磨挺多,那个放手的考验真心给力,救人没有错,只是自救或许才更重要,老大死没死我有点不知所措了。 < class="com">从第一部一直看到现在,本以为三部曲会是完美收尾,编剧硬是通过第四部来了个前传补充性质的续作,而且质量依旧上乘,一环一环,一个又一个受害者,这或许才是这个系列最大的恐怖。当你以为结束了,逃离了,结果又是下一场的开始。 < class="com">蛮欣赏这个系列从一而终的血腥劲儿。但是,到第四部为止,同样是多线并进,这部却显得衔接没那么紧密;同样是结局反转,第三四部也都反转得普普通通,无震撼之感。要是Jigsaw问我liveordie,我选后者无疑。 < class="com">第二部的警察死在了第四部,电锯惊魂之所以一系列评分很高,而且还要出到第八部,就是因为立意深刻吧。带着审判的角度来看,确实给人很多警醒,但是确实会有经不起推敲的剧情。 < class="com">编剧全换了,温子仁和雷哥都不在你们怎么可能搞出好故事?换了编剧后果不其然,核心真相再也称不上是“反转”,杀人游戏过程枯燥乏味,剪辑、时空关系混乱,哭笑不得 < class="com">“Youthinkit''soverjustbecauseI''mdead?It''snotover.Thegameshavejustbegun.”